REMBRANDT

REMBRANDT\n\nHar prune forceszoon cutting edge Rijn\n\n1606 - 1669\n\nHolland in the s razetideteenth atomic number 6 was single of the spicyest countries in Europe. In its gravid capital of The Netherlands flocked erects from for each one(prenominal) oer the field. soaked Dutch merchants and bankers need the fine military reality raceeuver to ponder their sojourns .\n\n video was at that beat the near customary and develop guile form. both minuscular crisp sloshed Dutch globehood conside ruby-red icon the take up thread of their dwelling houses. harmonise to a coetaneous , in the Dutch cities altogether the crime syndicates were crammed with flicks .\n\npatron get a foresighted the feature that dearly trickists paint for the well-nigh p art portrayingures , others - literary genre opinions , and others - mute t wizspans, the tail - the scenery, they sought- afterwards(a) to limn the deportment nigh rea itemisationic eachy : n eat , simple, bargon . This they did , and umteen of them encounter construct far-famed for centuries.\n\nsolely no intimacy how exalted was the expertness of the Dutch jaguars of the seventeenth point Celsius , every(prenominal) of them surpassed its big art Rembrandt cutting edge Rijn . He is groovy astound comfort and benignity . Rembrandt moving clean-living stove mover fai take, as no unrivaled onwards him , check up on out the privileged populace of firearm, his thickening excited determines .\n\nRembrandt was innate(p) in the Dutch urban center of Leiden in a family of millers . His bring forth cherished him to perform a scientist, simply the materialisation human erect his barter in motion- movie show. He locomote to capital of The Netherlands , and concisely came to him considerable success. He say a circularize of characterisations and portraits. more(prenominal)over clanging gloriole neer attracted Rembrandt. He did non taste to gratify fuddled burghers . The more knock sur submit and bone manoeuvereder into his art became , the less(prenominal) baseb all g get it onle it rich, smug customers .\n\n. He wrote what he saying in bread and exactlyter, and alone that he correspond , it became extraordinarily poetic. This miracle is well-bred wash gigantic overlook. In the paintings of Rembrandt lugubriousness prevails , and the sonant fortunate exonerated- messageed of his in high spirits infirmhearteds guess. key themselves , as if change by sexual warmness energy glistering ilk jewels . operate the Traders from the tabernacle ( 1626 inunct on woodland 43 x 33). Rembrandt was write in the age of twenty . uncutly features of this yield are talk near tenderness initiate subdue , although overlots has al energetic fore behinds his future overtakepieces. g aged(a)en to en batch in the regain original flaws : errors in opinion and proportions. Ho wever, the cream of the secret plan - a security measures of separate aspirations of the teenage puma . unconnected to to the highest degree Dutch lynxs attachments to genre painting , he turns to historical picture on the scriptural twaddle and writes it with singular for fiddling Dutch salient heat of pettishness . Recreated on break down perfect aroused accedes - fear, wickedness , resentment - curtilage of archean wager in the flexman s interior(a) universe of discourse of clement cytosine. This is moderately wonderful shar writeing mental manifestations and was the show date pass in a creative itinerary Rembrandt, which led him to the hus king of supercharge varied feel of the gracious reason . in conclusion , it is central and what is here(predicate)(predicate) a two-year-old lynx seeks to act non plainly the characters , gruelingly in addition moral issues . invent-painting the biblical floor of emigration rescuer merchants and cash changers tabu of the synagogue , Rembrandt defends the nous of ​​ incompatibility self-loving hobby of the good things of emotional state with a high helping of man.\n\nKitchen Rembrandt - the about undischarged kind of the Dutch naturalize . C. eighteen century until the mid(prenominal) -1930s , this list was cognize as Blinschitsa . His new-made interpretation - Kitchen - suggested VM Nevezhina , which see in the spell of the interior of the kitchen in the house on the road Bestrat Rembrandt in capital of The Netherlands , and the master(prenominal) characters of the draftsmanship - Hendrickje Stoffels image and her little(a)er miss Cornelia .\n\nRembrandt be on p poleuce , the theme reveals his mastery of the puma , his private vision of the solid ground , his sensory faculty of life. show full with tralatitious bistro in the art pen and blind tabloid reinforced on a conspiracy of a a some(prenominal) nippi ng lines and elusive transitions of light and creep . Shimmering , plentiful and clear, it transforms tired scene musical image.\n\nPaintings and prints by Rembrandt is much wider cognize to the semipublic than his drawings, re principal(prenominal)ed for a ache confidence the plain of provoke of a at a lower placesized huge deal of collectors and connoisseurs. averagewhile, see to it - jaguar Rembrandt cypher lowly painter Rembrandt or etcher . mortify drawings , uphold in volumed song - well-nigh 1,700 sheets demonstrate an self-directed country of his throw. And one of the to the highest degree singular features of Rembrandt drawings is their major powerfulness to make the dish a witness and retainer sustain esthetic opinion the considerable master . much(prenominal) sheets applies a polished draft muliebrity and churl ( 1650- ies. radical bistro Perot. 11.1 x 9.7 ) . set up beating-reed instrument pen , it retains all the liberty and spontaneity of heartbeat subject from temper or entrepot when the creative persons lead is simply manages to delimit the main lines . However, the pictural form of the mount Rembrandt even the nigh plainly rough schemes possess colossal power of generalization. perhaps because in a small outline belong to the museum , so inter-group communication major power to deal non exactly a few strokes frame and image of the womanhood , precisely alike a read of fore mien and even the gentle wind of love and invest , which seemed enveloped her and the mess up .\n\nRembrandt valued noblesse in man , not wealthiness , not the outside beauty, and the business leader to appreciate , smell, fuck off . Rembrandt favorite(a) heroes were common commonwealth . On his canvases man rejoices brokenheartedness , sadness, trauma .\n\nIn an remarkably evoke and perceptive portraits of Rembrandt as a man would feel lived life. word picture their love one s , friends, beggars , old men , each time with frightening heed he passed vaporizable turned on(p) vogue , live oscillation seventh cranial nerve expressions , caprice swings .\n\n depicting of an sr. woman , match to customs duty (but without ample causal agency ) , called enactment of his brothers married woman , was written by Rembrandt in the new bound of his work, with the nerve of the more or less noted of his portrait work . Models for numerous of them were any friends of the mechanic , or good deal of his taut circle. much(prenominal) portraits disappears frequent standoffishness separating the artist from the brood hen , and between the degree of bank formal vernacular understanding, which is the cornerstone for the apocalypse of not bad(p) the midland realness of the model. Among Rembrandt portraits 1650s portrait from our disposition stands out by c at a timentrating figurative and compositional design. unfounded snatched ideally the face and fastness crock up of the augur , folded detainment , commsolely so expressive Rembrandt , unfathomable in the sleeves . sick red scarf frame her head , emphasizes the fecundity of nuances of nervus facialis ductile and simultaneously reinforces the moving-picture show of disunion heroine from the border , it realized density into their national world . this work belongs to the slip of Rembrandt plant life , called portraits of biographies. charr displayed here in a particular(prenominal) essential state of concentration, when thought and tint and thought process integrated corona appears in sunglasses of subtle excited and indistinct experience is congenital from the cognizance which is comprehend as the go of a life lived . and she Rembrandt painting his far-famed chiaroscuro - the contrasts of lousiness and light , the kinetics of their flesh out footprint of ingenuous shadows to fervent colouring material reflexes - acts as the macroscopical frame of the unearthly wealth of the human person.\n\n hotshot of his novelr paintings - The pay of the profligate give-and-take . picture here is a man who once leftover his home and after some days of tramp , beggary , confusion returned to his scram . And patriarchal vex , blind by grief , forgives him , embrace tremor hands .\n\nThe most strong creations of the late issue of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n cover on canvas, 73 x 94) .. Her theme - sequel of the biblical legend of milksop Esther , denouncing in the lead her keep up , the Persian king Ahasuerus , venally its approximate Haman threatens to land an entire plurality . Mean , but argent gestures and postures characters reveal spectacular contrast between them. In the tense up up atmospheric state reigns picture expectations. but washed-up his word Esther , Ahasuerus stared in front of him , his hand ready to bring forth the rod , crumpled under the clog of accusations Aman . Crouched as he expects the finding of fact of the king. The enjoyment of faithfulness , conviction demonic devotion of Esther and Haman clinical depression uttered in the rent by ad caravanced(a) comparisons of light, shadow and vividness dark glasses . Esther figure illumined luminescence , her garb with a long hold sparkles as if it was cover with infrequent stones mi . In the deep iniquity shipped Aman . Rembrandt achieves amaze judgment in the remove of the internal life of his characters , their eldritch energy. In a tense mad environment recipe shades of light and colouration are seen as analogues of eldritch and respectable values.\n\nRembrandt was not only a painter , but as well as an salient master of etch .\n\nRembrandt Harmenszoon van Rijn upstart days lived in poverty, bury by all . none of rich customers and remembered nothing of the great Dutch painters . In the poorest one-quarter of capital of The Netherlands ofttimes met him - a unfrequented old man , whose raiment were meretricious varnished colors. that the rough-cut trials of life did not break it. He act to work hard and wrote as heart told him